~ Exhibit Now Showing ~
DETROIT: August 1st - August 31st, 2014
1550 Winder (across from Red Bull House of Art)
ANN ARBOR: September 12th - October 12th, 2014
Ann Arbor Art Center
Ann Arbor, MI
Curated by Rocco DePietro and Gloria Pritschet
The quest to see lies at the heart of human urgency. To breach the barrier between the visible and the invisible is compelling, emotional, informative and even magical. This process of discovery has always driven thinkers and image makers: artists, scientists and philosophers, from astronomers to nanotechnologists, from documentarians and data analysts to planners and prognosticators. As the unseen becomes seeable and seen, a pivot occurs, revealing and demanding irreversible change. No one who has seen is ever the same.
The invisible may be unseen for many reasons. It may be purposely covert for socio-political or military reasons, or to hide corruption or actions contrary to the public good. It may be inadvertently unseen because of the limits of technology or its applications, or the limits of human perception or comprehension. It may be willfully unseen from lack of curiosity, imagination, salience, awareness, or limitations of perceptual processes.
Many contemporary artists and scientists are dedicated to expressing the unseen and to making the invisible visible. They may be motivated to advance their disciplines, or may be fascinated by the prospect of discovery, or the challenge and adventure of harnessing emerging technologies to express ideas. They may believe it is important to uncover secrets, to disclose purposely hidden information, some of which strikes at the heart of democracy, personal privacy, individual well-being, individual freedom, the public’s right to know, and the health and survival of planet Earth. They may seek to awaken consciousness to initiate conversation about outcomes, implications and possibilities.
This exhibition invites the participants to visualize and express the unseen, and to comment on the impacts of the transformed vista.
In Unseen, participants’ work may express a range of conceptual dimensions. For example, they may be disclosing the purposely hidden or the inadvertently unseen. They may seek out significant and impactful information or simply delight in the creative, visually beautiful or surprising. Participants’ work may also express a range of thresholds of visibility. For example, they may be exploring micro, meso or macro levels of invisibility, from microbial and sub-atomic worlds to social, global and universal phenomena. Several examples follow:
The Hubble and Kepler telescopes are discovering evidence of earthlike and superhabitable planets, whose conditions for sustain carbon-based life surpass those of earth. However much of space is unseen by us, for intentional covert reasons or because we lack the means to perceive it.
In his book Dark Skies, Trevor Paglen, uses time-lapse photography with super sensitive equipment to capture images of military spy satellites streaking across the night sky. Photographed over a landscape reminiscent of Ansel Adams, the images are chilling reminder of what’s up there unseen.
Remote sensors and sonar probe deep within the earth and below the ocean floor in places like the arctic (where over 90% of Russia’s natural gas is located) mapping caches of gold, uranium, and rare earth minerals. Private corporations often own the proprietary maps. These same technologies offer crucial information to science, for example, in marine and desert archeology and research.
Environmental pollution related to deep earth mineral and gas extraction, and droughts; ancient aquifers are drained, the land debased, the water supply is poisoned and behind the guise of efficiency and technological advances.
Study of long term-data for natural cycles and systems reveals climate patterns, meteoric and volcanic activity, intense solar storms, and models their relationship to human activity and potential catastrophic impacts.
Disadvantaged individuals and groups that are invisible due to personal attitudes, social policy, and a history of neglect, e.g., the elderly and incarcerated black youth.
Architects and artists are working to reinterpret space in cities. Art is Open Source depicts the layers formed by people who uniquely shape the space through their use of mobile devices, ubiquitous technologies, and social networks.
Data art amasses complex critical information and presents it visually appealing and easily readable formats. Josh Begley, the originator of Dronestream, which documents the increase in drone strikes in the past decade, has created a new Apple App, Metadata, which documents drone strikes in real time.
Genetic research and engineering have enabled modification and selection of traits in foods, opening broad argument about health, safety, the power of chemical companies, and international meddling.
The Human Genome Project has sequenced the chemical base pairs of human DNA, making possible cloning technologies and genetic choice (babies by design). Private companies offer genetic tests for illness predisposition. This new era in genetics opens reconsideration of human identity, illness and morality.
Google Earth Outreach is mapping indigenous people around the world. The project protects 600,000 acres of the Surui of Brazil from exploitation, illegal mining and logging Photographer Martin Schoeller, with National Geographic, is bringing the issues facing lost tribes to global attention. Impact of such projects on their way of life is uncertain.
Animal research has revealed highly differentiated sounds and as yet untranslated complex language among elephants, dolphins, and other mammels. Increased understanding of animal language, emotion and culture challenges narrow preconceptions of animals as lesser beings, as food or objects for our entertainment.
American intelligence gathering is largely covert and secret. Edward Snowden, in revealing the extent of information collected about ordinary citizens, awakened awareness and initiated a change in generally held assumptions.
Cyber warfare, increasing in sophistication and run by rogue and government sanctioned hackers, challenges the security of nuclear facilities, financial systems, and personal data. There are no visual maps for understanding cybercrime.
Secret drone strikes in Yemen or Pakistan are supported by networks of underwater fiber optic cables, military satellites and command centers, remote sensing and vision systems, and superfast computers. Congress’ decision to continue their control in the CIA, rather than to transfer it to the Defense Department insures that they remain secret.
HAARP (The High Frequency Active Auroral Research Program) is an ionospheric research program jointly funded by the Defense Department and private contractors. HAARP analyzes the ionosphere and investigates the potential for developing ionospheric enhancement technology for radio communications and surveillance. Some say one of its goals is to transmit electricity wirelessly. Based in Gakona, Alaska, some experts say that HAARP is capable of modifying weather, disabling satellites, causing air crashes, earthquakes, droughts, storms, floods, and even disease.
There is a whole category of contemporary art this is full of technical and creative surprises. These works might involve hidden images, inference of the presence of the objects and content when they are not there, and movement that alters the visual and perceptual field. Some can only be fully realized with the participation and imagination of the viewer.
1. Please read curatorial statement.
2. If you are submitting completed work, please submit 1-5 images to firstname.lastname@example.org.
3. If you are submitting a concept, please send a one-page description, along with examples of your work as selected jpegs, not website links.
4. Accompany your images with a very brief artist statement.
5.There is no submission fee for this exhibition.
1. Send images now, or as soon as possible, with deadline July 1, 2014.
2. Notification will be made now, or no later than by Monday, July 14, 2014.
3. There is no submission fee for this exhibit.
1. Dual Site Exhibition: Work will be exhibited in Detroit, 1550 Winder, Eastern Market, August 1 – August 31. It will be transferred to the Ann Arbor Art Center, for exhibition September 12 – October 12, 2014
2. Liability: Gallery project is responsible for all artwork accepted for the exhibit.
3.Upon acceptance, additional information will be provided in the Artist Contract.
Your generous support will make it possible for us to present 1-2 large, themed exhibits annually in different locations in Ann Arbor and Detroit. We also appreciate our board for their planning of events and fundraising efforts, and our associates for their assistance with programming, operations, and logistics.
We are also appreciative of the more than 140,000 visitors who attended our 70 plus exhibits at our former location at 215 South Fourth Avenue in Ann Arbor and the more than 10,000 monthly visitors to our website. Images of past and current exhibits are continually being added on line.
A Way To Support Gallery Project
Gallery Project, an independent contemporary art gallery run by artist volunteers, has recently become a 501(c)(3) nonprofit organization with tax exempt status.
Our mission is to curate theme exhibitions that are culturally aware, individualistic, courageous and thought provoking.
You can support this gallery of ideas by making a tax deductible contribution. Donations will be used to improve the quality of upcoming exhibits and to support participation by emerging artists.
8-1-2014 through 8-31-2014
9-12-2014 through 10-12-2014
Ann Arbor Art Center
Ann Arbor, MI